我認為人與空間不斷相互作用尤其在”家”這樣的私領域空間,空間包含著我自身,而我亦可以作為空間的詮釋。

“離家(Leave Home)”這個系列作品我嘗試⽤用攝影來探索自己,與自己生活的空間。作為一個用攝影創作者,我總是將鏡頭對 準他人與異地,而在這作品中,鏡頭都是面對我自己。拍攝時我使用腳架起相機,定時拍攝,同時在鏡頭前我也拿起相機,來想像面對相機時的感受。影像中帶入了我曾經生活的空間與將要生活的空間,一是反應我自己對於空間的記憶與情感,另一方面影像中的我作為承載的介質持續存在於新舊空間之中,所以我將自己塗鴉遮掩,象徵曾存在與將存在的過度空間,來探討人與私領域空間的關係。
如果問我怎麼有獅子？我會回答：那象徵著我的精神狀態。

In the series of Leave Home, I tried to explore myself and my living space by photography. As a photographer, I align the camera lens on others and unfamiliar places all the time. But in this series, the caramel lens would always be aligned on me. In the process of taking photos, I used foot stool to set up the camera and utilized self-timer to compose it. In the meanwhile, I took a camera in front of the lens to imitate the feeling of facing lens. The images included the space of I lived in the past and the space of I will live in the future to reflect my memories and sentiment of the space. On the other hand, the “me” in the images would be the medium to co-exist in new and old space constantly. Moreover, I utilized graffiti to hidden myself in the image, which symbolized the transition of existence in the past as well as in the future. Through this composition, I would focus on the relationship between human beings and their own private space. In my opinion, human beings interact with spaces constantly, especially with the most private space as “Home.” When I contained myself in the space, I could be the interpretation of the space in the same time. Last but not the least, I put a lion puppet in the spaces of every composition, which could symbolize my mental status as well.