這個系列作品描述我與愛人經由攝影而建構出的弔詭關係(浪漫恩愛與冷靜疏離)，同時也探討攝影者與被攝者之間的權力關係。若相機作為利器，用以滿足我的窺淫癖與佔有欲，那鏡子就像⼀面盾,清清楚楚的反映了我的樣貌。

我總是拿起相機幫⾃己最愛的人拍照,然⽽身為攝影者影像反映的是⾃己，在幫愛人拍照的同時，其實是在滿⾜自己對於影像的窺淫癖。所以我開始思考這個執著於影像的自己，我請我的愛人拿起鏡子正對著在拍照的我，我雖然意圖幫她拍照，卻無法看見她的容貌，而鏡子中映出的是按下快門的我的那一刻。這樣的影像反而除去了她是愛人這樣的脈絡，凸顯了我自己對於攝影那種似乎像是著魔般的執著。 然而對我來說，她是我的愛人。

This series described the strange relationship (romantic, intimate but also cold and detached in the same time) between me and my love which is composed by photography. Meanwhile, I also probed into the power relation between photographers and those who were photographed by them. In my opinion, as a photographer, the photos shot by oneself would reflect one’s own. Even though I am the one who always take pictures for my lover; in the meanwhile, I might fulfill my voyeurism of toward the images. Furthermore, after I have taken lots of photos of my love, I still can’t memorize well to the figure of the person I love in daily life. Her figure, her statue, her smile, her dressing are constituted by the images again and again. Therefore, every time when I take a picture for the, I would think about the desire of photography is for her, for me, or for image itself? When I use the camera as a medium to fulfill my voyeurism and possessiveness, that mirror in the photo would reflect my image and thought clearly.